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Pianist silhouette at grand piano with blue arcs

richard kahn music

  • Listen
  • Shop
    • Albums
    • Publications
    • Disklavier PianoSoft
    • Arrangements
  • Bookings
    • Competition Judging
    • Contact
  • About
    • About Richard Kahn
    • Music Glossary
  • Blog
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Sub-Total: $0.00

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The Overtone Series: Music’s Hidden Math

By Richard Kahn | June 30, 2026
Single golden droplet causing circular ripples

Here is a fact that might change how you hear music: every sound you have ever listened to is actually many sounds at once.

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Repeats, Roadmaps, and the Art of Musical Navigation

By Richard Kahn | June 26, 2026
Stone sundial in concentric grass maze

Music is repetition, variation, and contrast — in some combination, in virtually every piece ever written.

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Phrases, Periods, and the Architecture of Musical Sentences

By Richard Kahn | June 23, 2026
Stone bridge arches at sunset with ivy

Musical phrases are the building blocks of melody — the smallest complete units of meaning in a piece of music. Music is a language.

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Sharps, Flats, and the Enharmonic Twins

By Richard Kahn | June 19, 2026
Queen of Spades playing card with candles

The musical alphabet has seven letters — A through G — and the piano keyboard has twelve distinct pitches per octave.

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The Piano Keyboard: Twelve Keys, Infinite Music

By Richard Kahn | June 16, 2026
Row of glass bottles filled with colored liquids

The piano keyboard is Tool Number Two, and it is the most important physical diagram in the study of Western music theory.

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Clefs, the Grand Staff, and the Art of Reading Pitch

By Richard Kahn | June 12, 2026
Surveyor using total station in foggy field

A clef is a symbol that defines one specific line of the staff by letter name, and from that single anchor, all other pitches follow.

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The Staff: Music’s Map of Sound

By Richard Kahn | June 9, 2026
Birds on power lines over rolling green hills

The staff is Tool Number One — the primary surface on which Western music is written and read.

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Time Signatures: The Blueprint Behind Every Beat

By Richard Kahn | June 5, 2026
Drafting compass and ruler on architectural blueprint

At the beginning of a piece of music — just after the clef, before the first note — sits a fraction that is not quite a fraction.

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Notes, Rests, and the Language of Duration

By Richard Kahn | June 2, 2026
Small spiky animal on red dirt

Every sound has a beginning and a length. Those two facts — when a sound starts and how long it lasts — are the raw material of rhythm.

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What Is Music? Sound, Silence, and Measured Time

By Richard Kahn | May 29, 2026
Person walking across snowy landscape at sunrise

Here is the most stripped-down definition of music you will ever encounter, and also the most durable: music is sound and silence in time.

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Older Posts »

Recent Posts

  • The Overtone Series: Music’s Hidden Math
  • Repeats, Roadmaps, and the Art of Musical Navigation
  • Phrases, Periods, and the Architecture of Musical Sentences
  • Sharps, Flats, and the Enharmonic Twins
  • The Piano Keyboard: Twelve Keys, Infinite Music

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