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Pianist silhouette at grand piano with blue arcs

richard kahn music

  • Listen
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    • Disklavier PianoSoft
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Music Theory

Reading Chord Symbols: The Language of Commercial Music

By Richard Kahn | September 8, 2026 | 0
Ship captain on bridge navigating by radar

A chord symbol is a compact notation — sometimes just two or three characters — that communicates a complete harmonic instruction to a performer.

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A Short History of Jazz: From Ragtime to Bebop

By Richard Kahn | September 4, 2026 | 0
Ivy entwining antique pocket watch gears

The history of jazz is one of the most distinctly American stories in music: a tradition that emerged from a specific neighborhood in a specific city and…

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The Twelve-Bar Blues: A Living Form

By Richard Kahn | September 1, 2026
Rocking chair and boots on porch at sunset

The blues is a scale, a style, a form, and a philosophy. As a form, the twelve-bar blues is one of the most durable structures in the history of music: twelve…

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Pentatonic and Blues Scales: Five Notes That Changed Everything

By Richard Kahn | August 28, 2026
Hand holding smooth stones on wooden dock

The pentatonic scale is the most universal scale in the world. It appears in Chinese classical music, West African drumming traditions, Scottish folk songs…

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The Church Modes: Ancient Scales, Modern Music

By Richard Kahn | August 25, 2026
Gothic cathedral interior with students studying by lamps

Before major and minor became the dominant scales of Western music, composers worked within a system of seven modes — ordered sets of pitches derived from the…

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Song Forms: Strophic, Verse-Chorus, and Through-Composed

By Richard Kahn | August 21, 2026
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Song forms are the structural skeletons songwriters reach for again and again, the shapes that make a song memorable, singable, and recognizable as a song.

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Motifs, Phrases, and the Architecture of a Song

By Richard Kahn | August 18, 2026
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A motif is a musical seed. It is the smallest fragment of melodic and rhythmic material that has an identity — something recognizable, something the listener…

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Tonic, Dominant, Subdominant: The Three Primary Colors of Harmony

By Richard Kahn | August 14, 2026
Blue, yellow, red wooden blocks casting shadows

The primary chords of any key — tonic, dominant, and subdominant — are the three foundational harmonies from which all Western tonal music is built.

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Comping and Improvisation: Harmony in Real Time

By Richard Kahn | August 11, 2026
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In a jazz or commercial music ensemble, the rhythm section — piano, guitar, bass — does not simply play the written notes. They comp.

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Seventh Chords: Adding Color to the Harmony

By Richard Kahn | August 7, 2026
Red wine swirling inside a glass

A triad is a three-note chord. Add one more note — a seventh above the root — and you enter the world of seventh chords: richer, more complex, and more…

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Recent Posts

  • Reading Chord Symbols: The Language of Commercial Music
  • A Short History of Jazz: From Ragtime to Bebop
  • The Twelve-Bar Blues: A Living Form
  • Pentatonic and Blues Scales: Five Notes That Changed Everything
  • The Church Modes: Ancient Scales, Modern Music

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