Tonic, Dominant, Subdominant: The Three Primary Colors of Harmony
The primary chords of any key — tonic, dominant, and subdominant — are the three foundational harmonies from which all Western tonal music is built.
Read MoreThe primary chords of any key — tonic, dominant, and subdominant — are the three foundational harmonies from which all Western tonal music is built.
Read MoreIf rhythm is the time dimension of music and melody is the pitch dimension, then harmony is the depth dimension — the vertical stacking of pitches that gives…
Read MoreA scale is not a melody. It is an ordered inventory of the pitches available in a given key — the pool from which melodies, harmonies, and progressions are…
Read MoreAn interval is the distance between two pitches. It is the most fundamental measurement in music theory — the unit from which melodies are constructed…
Read MoreThe musical alphabet has seven letters — A through G — and the piano keyboard has twelve distinct pitches per octave.
Read MoreThe piano keyboard is Tool Number Two, and it is the most important physical diagram in the study of Western music theory.
Read MoreThe staff is Tool Number One — the primary surface on which Western music is written and read.
Read MoreAt the beginning of a piece of music — just after the clef, before the first note — sits a fraction that is not quite a fraction.
Read MoreEvery sound has a beginning and a length. Those two facts — when a sound starts and how long it lasts — are the raw material of rhythm.
Read MoreHere is the most stripped-down definition of music you will ever encounter, and also the most durable: music is sound and silence in time.
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