Skip to content
Pianist silhouette at grand piano with blue arcs

richard kahn music

  • Listen
  • Shop
    • Albums
    • Publications
    • Disklavier PianoSoft
    • Arrangements
  • Bookings
    • Competition Judging
    • Contact
  • About
    • About Richard Kahn
    • Music Glossary
  • Blog
0

0
Sub-Total: $0.00

No products in the cart.

Pianist silhouette at grand piano with blue arcs

richard kahn music

  • Listen
  • Shop
    • Albums
    • Publications
    • Disklavier PianoSoft
    • Arrangements
  • Bookings
    • Competition Judging
    • Contact
  • About
    • About Richard Kahn
    • Music Glossary
  • Blog
0

0
Sub-Total: $0.00

No products in the cart.

Posts Tagged ‘music theory’

Seventh Chords: Adding Color to the Harmony

By Richard Kahn | August 7, 2026 | 0
Red wine swirling inside a glass

A triad is a three-note chord. Add one more note — a seventh above the root — and you enter the world of seventh chords: richer, more complex, and more…

Read More

The Three Forms of Minor: Natural, Harmonic, and Melodic

By Richard Kahn | August 4, 2026 | 0
Foggy mountain path with wooden steps

The minor scale has an identity problem — a productive one. Unlike the major scale, which has a single fixed formula, the minor scale comes in three versions…

Read More

Relative and Parallel Keys: Music’s Family Tree

By Richard Kahn | July 31, 2026 | 0
Two large trees with exposed roots at sunset

Relative and parallel keys are the two ways one key can be a close cousin of another, and understanding both is the foundation of fluent modulation.

Read More

Chord Quality: Why Some Chords Sound Happy and Others Don’t

By Richard Kahn | July 28, 2026 | 0
Bowls of peaches and plums on wooden table

There are four triad qualities in Western music, and each has a distinct acoustic character — a personality, really — that the ear recognizes immediately.

Read More

Interval Inversion: Flipping the Musical Equation

By Richard Kahn | July 21, 2026
Silhouette of person reflected in sunset lake

Every interval has a mirror image. Take a third and flip it — move the lower note up an octave, or the upper note down — and you get a sixth.

Read More

The Circle of Fifths: Tool Number Three

By Richard Kahn | July 10, 2026
Antique navigation instruments and compass rose

Tool Number Three is a diagram. It looks like a clock — twelve positions arranged in a circle — but instead of hours, it shows key signatures.

Read More

The Overtone Series: Music’s Hidden Math

By Richard Kahn | June 30, 2026
Single golden droplet causing circular ripples

Here is a fact that might change how you hear music: every sound you have ever listened to is actually many sounds at once.

Read More

Phrases, Periods, and the Architecture of Musical Sentences

By Richard Kahn | June 23, 2026
Stone bridge arches at sunset with ivy

Musical phrases are the building blocks of melody — the smallest complete units of meaning in a piece of music. Music is a language.

Read More

What Is Music? Sound, Silence, and Measured Time

By Richard Kahn | May 29, 2026
Person walking across snowy landscape at sunrise

Here is the most stripped-down definition of music you will ever encounter, and also the most durable: music is sound and silence in time.

Read More

Recent Posts

  • Seventh Chords: Adding Color to the Harmony
  • The Three Forms of Minor: Natural, Harmonic, and Melodic
  • Relative and Parallel Keys: Music’s Family Tree
  • Chord Quality: Why Some Chords Sound Happy and Others Don’t
  • The Triad: Western Harmony’s Core Unit

Recent Comments

    richardkahnmusic.com logo with piano silhouette
    Los Angeles, CA

    richard@richardkahnmusic.com

    • Music
    • Arrangements
    • Publications
    • About
    • Contact
    • Blog

    © 2026 Richard Kahn Music

    GoDaddy Web Design